"The numbness started in her fingertips. She felt it flow up through her hands, into her wrists and on along her arms to her shoulders and through her shoulders to her heart and up her neck to her head. She was a numbness, a thing of nettles and ice and prickles and a hollow thundering nothingness. Her lips were dry petals, her eyelids were a thousand times heavier than iron, and each part of her body was now iron and lead and copper and platinum. Her body weighed ten tons, each part of it was so incredibly heavy, and, in that heaviness, crushed and beating to survive, was her crippled heart, throbbing and tearing about like a headless chicken. And buried in the limestone and steel of her robot body was her terror and crying out, walled in, with someone tapping the trowel on the exterior wall, the job finished, and, ironically, it was her own hand she saw before her that had wielded the trowel, set the final brick in place, frothed on the thick slush of mortar and pushed everything into a tightness and self-finished prison." --from Ray Bradbury's short story Interval in Sunlight, published in his Long After Midnight collection.
Almost out of the October Country, for better or for worse. It's been an amazing month. Hard to believe how much got packed into it, but now, like the girl in the story, I feel numb, and more than a little trapped. Just my subconcious telling me get more exercise and meditate deeper, because when push comes to shove, I am as free as the wind, and can send the numbness away at will.